The Interpretation of Dreams – Sigmund Freud

The Interpretation of Dreams (GermanDie Traumdeutung) is an 1899 book by Sigmund Freud, the founder of psychoanalysis, in which the author introduces his theory of the unconscious with respect to dream interpretation, and discusses what would later become the theory of the Oedipus complex. Freud revised the book at least eight times and, in the third edition, added an extensive section which treated dream symbolism very literally, following the influence of Wilhelm Stekel. Freud said of this work, “Insight such as this falls to one’s lot but once in a lifetime.”[1]

Dreams, in Freud’s view, are formed as the result of two mental processes. The first process involves unconscious forces that construct a wish that is expressed by the dream, and the second is the process of censorship that forcibly distorts the expression of the wish. In Freud’s view, all dreams are forms of “wish fulfillment” (later in Beyond the Pleasure Principle, Freud would discuss dreams which do not appear to be wish-fulfillment). Freud states: “My presumption that dreams can be interpreted at once puts me in opposition to the ruling theory of dreams and in fact to every theory of dreams…”[6]

Freud advanced the idea that an analyst can differentiate between the manifest content and latent content of a dream. The manifest content refers to the remembered narrative that plays out in the dream itself. The latent content refers to the underlying meaning of the dream. During sleep, the unconscious condenses, displaces, and forms representations of the dream content, the latent content of which is often unrecognizable to the individual upon waking.[7]

Critics have argued that Freud’s theory of dreams requires sexual interpretation. Freud, however, contested this criticism, noting that “the assertion that all dreams require a sexual interpretation, against which critics rage so incessantly, occurs nowhere in my Interpretation of Dreams. It is not to be found in any of the numerous editions of this book and is in obvious contradiction to other views expressed in it.”[8] Freud stated that “The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.”[9]

Sources of dream contentEdit

Freud claimed that every dream has a connection point with an experience of the previous day. Though, the connection may be minor, as the dream content can be selected from any part of the dreamer’s life.[10] He described four possible sources of dreams: a) mentally significant experiences represented directly, b) several recent and significant experiences combined into a single unity by the dream, c) one or more recent and significant experiences which are represented in the content by the mention of a contemporary but indifferent experience, and d) an internal significant experience, such as a memory or train of thought, that is invariably represented in the dream by a mention of a recent but indifferent impression.

Oftentimes people experience external stimuli, such as an alarm clock or music, being distorted and incorporated into their dreams. Freud explained that this is because “the mind is withdrawn from the external world during sleep, and it is unable to give it a correct interpretation …”[11] He further explained that our mind wishes to continue sleeping, and therefore will try to suppress external stimuli, weave the stimuli into the dream, compel a person to wake up, or encourage him or her to overcome it.

Freud believed that dreams were picture-puzzles, and though they may appear nonsensical and worthless on the surface, through the process of interpretation they can form a “poetical phrase of the greatest beauty and significance.”[12]

Condensation, displacement, and representation in dreamsEdit

Dreams are brief compared to the range and abundance of dream thoughts. Through condensation or compression, dream content can be presented in one dream. Oftentimes, people may recall having more than one dream in a night. Freud explained that the content of all dreams occurring on the same night represents part of the same whole.[13] He believed that separate dreams have the same meaning. Often the first dream is more distorted and the latter is more distinct. Displacement of dream content has occurred when manifest content does not resemble the actual meaning of the dream. Displacement comes through the influence of a censorship agent. Representation in dreams is the causal relation between two things. Freud argues that two persons or objects can be combined into a single representation in a dream (see Freud’s dream of his uncle and Friend R).[14]

On DreamsEdit

An abridged version called On Dreams was published in 1901 as part of Lowenfeld and Kurella’s Grenzfragen des Nerven und Seelenlebens. It was re-published in 1911 in slightly larger form as a book.[15] On Dreams is also included in the 1953 edition and the second part of Freud’s work on dreams, Volume Five, The Interpretation of Dreams II and On Dreams. It follows chapter seven in The Interpretation of Dreams and in this edition, is fifty-three pages in length.[16] There are thirteen chapters in total and Freud directs the reader to The Interpretation of Dreams for further reading throughout On Dreams, in particular, in the final chapter. Immediately after its publication, Freud considered On Dreams as a shortened version of The Interpretation of Dreams. The English translation of On Dreams was first published in 1914 and the second English publication in the James Strachey translation from 1952.[17] Freud investigates the subject of displacement and our inability to recognize our dreams. In chapter VI, page 659, he states: “It is the process of displacement which is chiefly responsible for our being unable to discover or recognize them in the dream-content” and he considers the issue of displacement in chapter VIII, page 671 as: “the most striking of the dream-work.”[18]

Dated 1900, the book was first published in an edition of 600 copies, which did not sell out for eight years. The Interpretation of Dreams later gained in popularity, and seven more editions were published in Freud’s lifetime.[2]

Because of the book’s length and complexity, Freud also wrote an abridged version called On Dreams. The original text is widely regarded as one of Freud’s most significant works.

BackgroundEdit

Freud spent the summer of 1895 at Schloss BelleVue[3] near Grinzing in Austria, where he began the inception of The Interpretation of Dreams. In a 1900 letter to Wilhelm Fliess, he wrote in commemoration of the place:

“Do you suppose that some day a marble tablet will be placed on the house, inscribed with these words: ‘In this house on 24 July 1895, the secret of dreams was revealed to Dr. Sigm. Freud’? At the moment I see little prospect of it.” — Freud in a letter to Wilhelm Fliess, June 12, 1900

While staying at Schloss Bellevue, Freud dreamed his famous dream of ‘Irma’s injection‘.[4] His reading and analysis of the dream allowed him to be exonerated from his mishandling of the treatment of a patient in 1895.[5] In 1963, Belle Vue manor was demolished, but today a memorial plaque with just that inscription has been erected at the site by the Austrian Sigmund Freud Society.

The first edition begins:

“In the following pages, I shall demonstrate that there exists a psychological technique by which dreams may be interpreted and that upon the application of this method every dream will show itself to be a senseful psychological structure which may be introduced into an assignable place in the psychic activity of the waking state. I shall furthermore endeavor to explain the processes which give rise to the strangeness and obscurity of the dream, and to discover through them the psychic forces, which operate whether in combination or opposition, to produce the dream. This accomplished by investigation will terminate as it will reach the point where the problem of the dream meets broader problems, the solution of which must be attempted through other material.”[19]

Freud begins his book in the first chapter titled “The Scientific Literature on the Problems of the Dream” by reviewing different scientific views on dream interpretation, which he finds interesting but not adequate.[20] He then makes his argument by describing a number of dreams which he claims illustrate his theory.

Freud describes three main types of dreams: 1. Direct prophecies received in the dream (chrematismos, oraculum); 2. The foretelling of a future event (orama, visio) 3. The symbolic dream, which requires interpretation (Interpretation of Dreams 5).

Much of Freud’s sources for analysis are in literature. Many of his most important dreams are his own — his method is inaugurated with an analysis of his dream “Irma’s injection” — but many also come from patient case studies.

Published by irfanajvazi12

Rreth fletores blloku i shënimeve përmban artikuj, përkthime letrare , poezi ,romane,eseja , opinione, mendime filozofike, analiza politike, Art, Kinematografi, Piktura, Filma,Vjersha, shkrime dramatike, Kultur, Kinema e përkthime nga I. Ajvazi. Irfan Ajvazi është filozof, shkrimtar, poet, kritik letrar, romancier, dramaturg, biograf, veprimtar politik, skenarist, shkrimtar i tregimit të shkurtër, përkthyes letrar, teoricien letrar, historian i ideve, skenarist, regjisor filmi, producent, producent filmi, kineast, kineast. ai shkroi mbi filozofinë, letërsinë, filmin dhe artin figurativ. Një pjesë e rëndësishme e veprës së Irfanit i kushtohet leximit të filozofëve të tjerë: Stoikët, Leibniz, Hume, Kant, Nietzsche dhe Bergson, me ndikim të veçantë që rrjedh nga Spinoza. puna e tij ka ndikuar në një larmi disiplinash në të gjitha shkencat humane, përfshirë filozofinë, artin dhe teorinë letrare, si dhe lëvizje të tilla si post-strukturalizmi dhe postmodernizmi. Ai punon në lëndë duke përfshirë filozofinë kontinentale, psikanalizën, teorinë politike, studimet kulturore, kritikën e artit, kritikën e filmit, marksizmin, hegelianizmin dhe teologjinë. Filozofia kontinentale Shkolla e psikanalizës në Lubjanë Psikanaliza lakane Post-Hegelianizëm Frojdo-Marksizmi Interesat kryesore Ideologji Marksizëm Montologji teori politike psikoanalizë studime kulturore teori filmi teologji idealizëm gjermanialektik Interesat kryesore Historia e ideve, epistemologjia, epistemologjia historike, etika, filozofia politike, filozofia e letërsisë, filozofia e teknologjisë Filozofia kontinentale, ekzistencializmi, fenomenologjia, fenomenologjia ekzistenciale, hermeneutika, Marksizmi Perëndimor, anarkizmi (vonë) Metafizika, epistemologjia, etika, vetëdija, vetëdija, letërsia, filozofia politike, ontologjia. Profesioni Poet, romancier, shkrimtar i tregimeve të shkurtra dhe kolumnist Lëvizje Realizëm i ndyrë, trillim transgresiv Zhanret Dramë, trillim, poezi, skenarë, korrespondencë personale Disiplina Gjuhësia, filozofia analitike, shkenca njohëse, kritika politike Shkollë Kantianizëm Filozofia e iluminizmit Idealizmi gjerman Fundamentalizëm Konceptualizmi metafizik Jo-konceptualizëm perceptues Idealizmi transcendental Realizëm empirik Realizëm indirekt Korrespondenca e teorisë së së vërtetës Natyralizëm liberal Etika kantiane Liberalizmi klasik Epistemologji , Metafizikë, Etikë Estetikë, Kosmogonia Ide të shquara Filozofia kontinentale Idealizmi gjerman Idealizëm objektiv Idealizëm absolut Hegelianizëm Historizëm Naturfilozofi Koherentizmi epistemik Konceptualizëm Realizëm empirik Teoria e koherencës e së vërtetës Metafizika Epistemologjia Naturfilozofi Filozofia e historisë Etika Filozofia politike Logjika Estetikë Filozofia kontinentale Post-strukturalizmi Dekonstruksioni Hermeneutika radikale Zhanri Romane me tregime të shkurtra Lënda Psikologji Filozofi Lëvizje letrare Realizëm interesat kryesore Filozofi, ekonomi, histori, politikë

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